In Wetin You Go Do?

In Wetin You Go Do?
– Title of an installation at the Tate Modern, created by Nigerian born Otobong Nkanga

The title of Nkanga’s piece, when translated from Nigerian Pidgin, an English-based Creole language widely spoken across Nigeria, is ‘What are you going to do?’. ‘In Wetin You Go Do’ integrates voice and sculpture to reflect on contemporary anxieties.

The theme of anxiety stitched a ragged thread through the time I spent lingering in the Tate Modern after my early morning arrival in London. Or perhaps, when visiting a gallery such as this, the feelings we have, that we bring in through the door, colour the way we see the exhibits, determine the way we select what to linger with and what to pass on by?

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connections

Those who were living now are dead
Those who were breathing are from the living earth fled.
If you want to see how the poor die, come see Grenfell Tower.

From the impassioned poem on the fire at Grenfell, by Nigerian writer, Ben Okri, whose poem, published in the Financial Times on 23 June, 2017 is a searing statement from which it is impossible to hide, impossible to avert one’s gaze, impossible to forget.

I wrote earlier this week about my arrival in London, on the red-eye from Lagos, and my efforts to both stay awake and entertained before being allowed to pass through the portal of my hotel.

I decided, after grabbing some breakfast, and scribbling a short poem, (which I published on Facebook), to walk along the South Bank to the Tate Modern. During my walk I found some inspiration by shooting the various vans being prepared for the hordes of tourists soon to fill the streets which at that time were still and relatively quiet.

What I hadn’t counted on was the degree of connectivity I felt with the things I saw and experienced that morning.

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shard (revisited)

Do you mean to tell me that you’re thinking seriously of building that way, when and if you are an architect?
– Ayn Rand, The Fountainhead

Back in August last year, I shared a series of photos of The Shard, shot with my Nikon D700 and Nikkor AF 80-200mm f/2.8 D lens.

Yesterday, equipped with my Fujifilm X100F with its fixed 23mm (35mm full frame equivalent), I made these images.

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chewing gum man

But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
– W B Yeats

I like to contribute to the weekly photo challenge hosted by WordPress and must confess I hadn’t quite found inspiration for this week’s prompt, which frankly is quite unusual for me, which seems apposite as this week’s theme was indeed unusual.

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vans

Having arrived at Heathrow this morning on a red-eye from Lagos, and finding myself unable to check in to my hotel for several hours, I took to the streets like any other self-respecting homeless person, by which I mean no disrespect to actual homeless persons, it is of course no laughing matter.

I had two main goals, one was to find breakfast (which I did, and I must have looked particularly hungry as an additional slice of bacon was added to my bacon roll and coffee), and the other, that was to walk along the South Bank to the Tate Modern. My plan being to spend six hours or so in quiet artistic contemplation, before the hotel would throw open its portals (or at least activate a smart card) to me and my battered luggage.

I also had the foresight to bring my camera with me, my Fujifilm X100F, which has now has become my constant travelling companion.

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poetry | 101 | rehab | red

No matter how much suffering you went through, you never wanted to let go of those memories
― Haruki Murakami

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voices, filled (the air)
have, one more
don’t despair

(warm) fingers, tracing, searching
did they (who watched) care
have, one more

more, and more
no one (really) saw
or so, it seemed

blue eyes
yes (they cared, oh how so much)
told, no lies

feelings rising
choices, stretching
(out)

don’t be scared
choose, the blue
ride, the red

you’ll soon
be

dead


red

This week, my poetry prompt is red

fun

Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being
― Albert Camus, The Rebel: An Essay on Man in Revolt

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Shot on the South Bank with my Nikon D700 and Nikkor AF-S 50mm f/1.4 G lens set at ISO200, f/2.5 and 1/250s, edited in Analog Efex Pro 2

My contribution to this week’s WordPress Weekly Photo Challenge – Fun