“it’s no use going back to yesterday, because I was a different person then” lewis carroll, alice in wonderland
tea time
time for a beer
a dark beer
have you the time
or do you fear
you may
not?
(for justine’s tea party #12)
tea time (for beer)
Eclectic Corner
perspective
“windows are the eyes of the soulless” ― thomas ligotti, the nightmare factory
how big was your bonus?
could you afford this week’s groceries?
on whom is the onus?
to ease,
their miseries?
(for justine’s eclectic corner)
*shot with nikon d700 and nikkor 70-200mm f/4 lens, irony lost*
(the razor’s) edge
"entia non sunt multiplicanda praeter necessitatem**"
searching for an answer, what, where, which, when, how
why
look, question, yearn for the truth, the search continues
choices and decisions, facts and figures to be weighed
complexity and detail challenge and defy
logic
when there in front of us
lies the simple truth
it’s really not that hard, not that complex
when faced with a choice
the simplest solution is often the
best
(for justine’s eclectic corner #9 – photography, quotes and poetry – a free verse poem featuring the edge)
** occam’s razor is a problem solving technique, the latin text roughly translates to “no more things should be presumed to exist than are absolutely necessary”
teatime (again)
tea for two
is that the way to woo
or maybe it would be better
to open a bottle
or
two?
(for justine’s tea time #8)
better red
– bertrand russell and / or “west german friends of peace”
when red stalked the earth
righteous men preferred to dress in blue
time of great mirth?
(for justine’s eclectic corner #8)
fit
weaving, back and
forth
his memories clashed
coalesced
the smell of those sneakers
melded and
left him
remembering, how once he knew
where he
fit
(my fifth of five posts in response to a very kind nomination for the “five photos / five stories black and white challenge” from desleyjane and for the “black and white challenge” from albert
(and inspired by a dreadful awakening and by a walk on the edge of town)
(oh, and as my fifth and final nomination, I’d like to invite jane lurie, if she feels so inclined, to share with you her perspective on “how photography helps people to see” through five black and white images and stories…)
*shot also for lucile’s the clinic – photo rehab, and justine’s electic corner #7, with nikon d700, 50mm f/1.4 nikkor lens and edited in aperture 3, photoshop cc, and silver efex pro 2, a layered blend of belgrade and brüssel*
(after) tea time (party)
when, all is
said,
and done,
there is always, someone worse
off.
(for justine’s tea party #7 and lucile’s the clinic – photo rehab)
*shot with nikon d700, 16-35mm f/4 lens, edited in aperture 3 and analog efex pro 2 with wet plate filter, and hand over nose*
the silence (of)
“…clarice
will you let me know if ever the lambs stop screaming?”
― thomas harris, the silence of the lambs
…the phone trilled
holding it to her ear
as she looked into the woods
she heard
the
silent “béé”
of, the
lamb
(this is my response to justine’s latest story and photography prompt in her eclectic corner)
a dreadful awakening
A dreadful awakening – a short story inspired by Justine’s eclectic corner #5
There was only darkness.
A kind of darkness he could not remember. No vague swirling lights, nothing, just black empty space.
No smells, no sounds, no sensations at all.
For now, there was no fear.
No memory, not even awareness, just a vague sense of being.
And always that black, empty, vaguely unsettling darkness.
And yet. He was aware, of something. It occurred to him that he used that word ‘he’ although he had no real feel for what the word meant. It was just there, hanging in the darkness.
For now, he had no questions. No words. His world was darkness, just “he” and a growing sense of being. And unease.
He felt the darkness shifting and swirling around him. Shapes formed from nothing, impossible to distinguish, but somehow there. On the very edge of his perception he could sense something, growing, emerging. It was not a good feeling.
Was this when he first began to be afraid?
Was that movement he felt?
His world, if his world it was, seemed to tilt. The darkness shifted again almost imperceptibly. The shapes in the black void, acquiring substance and definition.
He began to become conscious of the world around him, in ways that troubled him, although he was not sure why.
The darkness began to recede, so very slowly.
In his mind he sensed fragments of light, on the edge of his vision. Shapes, shifting and queasily pulsing.
He felt cold, and as sensations returned, so too did that awful sense of dread.
Something was wrong. Very wrong.
His mind raced, he was aware his breathing felt different, too fast. He began to remember fragments. Recalled the time he had been to the dentist, the gas, the pain, waking and, as he did, having no idea who or where he was. A sense of dislocation and bewilderment. And now that feeling was so much more visceral, animal.
His dread deepened, when he realised that this feeling was strange, wrong, yet he could not put his finger on why. His mind kept returning to that time at the dentist. That sense of impending terror continued to eat away at him deep down, building and suffocating in its intensity. And this was different, perhaps more terrible than any visit to the dentist had been, or ever would be.
He began to smell the world around him. It was cold. The ground beneath him was hard and gritty, close to him. Why did it trouble him so much that the ground felt too close?
As the darkness receded, the lights became more intense and disturbing. The light unsettled him.
That damp smell. What was that? So powerful, pungent, putrid? So many layers, too many. He remembered how he had felt after a cold, that feeling of being able to breathe again. This was different, deeper. Why did he feel it was too intense?
And his skin, it felt wrong. So very wrong. Thicker.
His breathing became more urgent. He felt his tongue in his mouth, unfamiliar and rough. And his teeth. Oh, his teeth, how could they feel that way?
His sense of dread intensified.
The lights swirling round him fragmented, his eyes hurt.
He lifted his head.
Through the swirling patterns of light he began to discern structure in the chaos.
What were those shapes he could see?
An image of steps floated into his mind, descending into that darkness.
His memory was fighting to return. And yet he was terrified, he did not want to remember.
Falling.
Yes, he remembered falling, tumbling, terrible pain in his head.
A sharp crack and then, nothing.
And now.
He heard approaching sounds.
He lifted his head. Again he thought, why did the ground feel so close, so intimate?
Then, he saw.
Two huge feet in front of him on the steps.
Feet, encased in sneakers, he knew so well.
His dread was now overwhelming. Too much for him.
Sounds, smells, strange sensations were flooding his mind.
He realised he was panting, his hair stood on end, his coarse long tongue hanging out of his drooling mouth, licking his now sharpened incisors. He began to shake as a terrible realisation engulfed his mind.
He looked at the giant feet, the shoelaces.
The very blue shoelaces that, in a moment of pure terror, he remembered he had tied on his own sneakers only that morning.
This is my response to Justine’s eclectic corner #5 story prompt – fictional writing in which the challenge was to respond to a photograph provided by Justine with a piece of short fiction. Published with help from Mara Eastern.
Take a look at some of the other responses to this prompt by clicking on the image below.
andy townend 