London

Integration

Image | | andy townend

if there’s anything more important than my ego around, i want it caught and shot now
― douglas adams, the hitchhiker’s guide to the galaxy

i am
        all these things
                       growing
                             struggling
                                      learning

i am
  none of these things
                     (insert list here)

i am
  like you
         and you
               and you
                     and (yes),

             you

i am
  a
   work in progress
                  watch this
                           space
                               to learn


who
  i
  am

all bunched up inside

blowin’ in the wind

reach for me

what lies behind

overflowing with emotion

bursting out

call my name

phone home before it’s too late

palm me off

birthplace of hope

discarded memory

barking up the wrong tree

three energetic bodies

potted delights

*all images made with nikon d850 and nikkor 24-70mm f/2.8 e ed vr lens, during a meditative walk along the (partially flooded) south bank of the thames on sunday, 30 march 2025*

London calling…

Image | | andy townend

Now get this
London calling, yes, I was there too
And you know what they said? Well some of it was true
London calling at the top of the dial
And after all this, won’t you give me a smile?

Lyrics from London Calling, The Clash

Expect more to come.

Wishing you all a very Merry Christmas, and a New Year full of joy, light and love.

*all images made with fujifilm x100f*

banal ball(s)

Image | | andy townend

Writing in today’s Observer newspaper, Laura Cumming’s review followed the headline (at least in the print version) ‘These swings don’t mean a thing’ describing the Superflex installation in the Turbine Hall of the Tate Modern as ‘by far the worst Turbine Hall commission in the history of the Tate Modern’, and went on to suggest that, if she were Hyundai (who sponsored the commission), she’d ask for her ball back.

I am no art critic, but I wonder if her review missed part of the essential point of the Tate Modern? It is an open expansive space, much of which can be viewed freely. A space where those unfamiliar with art can have their eyes opened, their lives changed. The vast expanse of the Turbine Hall is indeed a challenging space for any artist to fill, no matter how sweeping their ambition or profound their talent.

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the ongoing moment

Image | | andy townend

Everyone was nowhere to be seen
― Geoff Dyer

During all my frequent flying, I’ve finally got round to reading Geoff Dyer’s The Ongoing Moment, which I purchased in The Tate Modern Bookshop well over a year ago.

I’ve been particularly fascinated by the hatted figures in raincoats which feature in the work of Kertész. Blurred, and often awkwardly placed within the frame, strangely compelling, we share a fleeting moment in the life of these strangers.

This morning, as I nursed a cup of strong coffee after an overnight flight from Accra to London, I also lingered over an image of a group of people on a bench, World’s Fair New York 1964, made by Garry Winogrand.

I was about to delete the image above (too blurry and clumsy), but there was something about the group of people, the interplay between them, the connections, the role played by the pictured photographer unaware of her own involvement in another photo, something that made me stop pressing the delete button.

So, this image, blurry and unsatisfactory though it is, is my homage to Geoff Dyer for opening my eyes and encouraging me to learn from the work of some of the greatest photographers.

pedestrian (a modern reflection)

Image | | andy townend

beautiful insane
in the rain
― Jack Kerouac, The Subterraneans


Everything but pedestrian, for WordPress weekly photo challenge.

Today, I finally bought my own copy of The Americans by Robert Frank with a sublime introduction by Jack Kerouac.

The perfect blend of photography, writing and poetry.

Inspired by one of my sporadic visits to the Tate Modern.

*Shot with Fujifilm X100F with fixed 23mm (35mm full frame equivalent) lens at ISO 800, f/5.6 and 1/200s with edits applied in Lightroom CC and Analog Efex Pro 2*

structure

Image | | andy townend

Chaos was the law of nature; Order was the dream of man
― Henry Adams

My photo captures a sculpture on the South Bank of the Thames in London. It caught my eye because the distorted reflection of grandiose structures that now shape the financial district, the City of London, appeared so much like the Earth as I imagine it from space.

The placing of the fantastical city on the edge of the beautiful blue earth seemed a metaphor for man’s misplaced sense of mastery of the universe.

I wonder how many passing by that day felt the same?

For WP Weekly Photo Challenge – Structure

*shot with Fujifilm X100F with fixed 23mm (35mm full frame equivalent lens) at ISO800, f/9.0 and 1/900s*

corner (the second)

Image | | andy townend

Happiness makes up in height for what it lacks in length
― Robert Frost

This is my second interpretation of this week’s WordPress Weekly Photo Challenge – Corner (you can see my first interpretation here).

*Shot with Fujifilm X100F with fixed 23mm (35mm full frame equivalent) at ISO800, f/4 and 1/900s from the top of The Shard in London*

shard (revisited)

Image | | andy townend

Do you mean to tell me that you’re thinking seriously of building that way, when and if you are an architect?
– Ayn Rand, The Fountainhead

Back in August last year, I shared a series of photos of The Shard, shot with my Nikon D700 and Nikkor AF 80-200mm f/2.8 D lens.

Yesterday, equipped with my Fujifilm X100F with its fixed 23mm (35mm full frame equivalent), I made these images.

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chewing gum man

Image | | andy townend

But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
– W B Yeats

I like to contribute to the weekly photo challenge hosted by WordPress and must confess I hadn’t quite found inspiration for this week’s prompt, which frankly is quite unusual for me, which seems apposite as this week’s theme was indeed unusual.

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