project 365 mobile | mono | square | week 6

On Sunday, 14 June 2015, I launched my Project 365.

You can see all the images as they are posted to the mobile | mono | square album on my flickr account.

My plan, let’s see if I can stick to this, is to post a weekly update here each Sunday.

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dark | side | thursday | ten

Do you need, desire or crave a new challenge?  Are you open to sharing your dark side?   Then read on.

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Do you have a dark side?

Or, think you may have one. Or indeed worry that you might have one. Or, for that matter, worry that you don’t and would like one? If so,  join me here each week for dark | side | thursday.

Over a period of 52 weeks, I am writing a story. A dark story that will unfold as the weeks pass. Each Thursday, at 13:00 UTC, I will post a new chapter. Each chapter will be exactly 500 words long, and will be accompanied by a photograph. You can catch up on the story so far by clicking here on dark | side | thursday

Share your dark side?

I invite you to join me either by writing your own dark story, week by week, or, if that is too much, by dropping by, now and then, perhaps when the mood suits you or, perhaps, when it doesn’t, and by sharing a photograph, poem or a suitably dark piece of prose. To cross over to dark | side | thursday create your post, tag it dark side thursday and link to it by clicking on the dark | side | thursday badge below, where you can also find all the contributions so far. Or you can simply share your link in the comments section of my weekly post. And, should the mood take you, you can add the badge to your post.

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dark | side | thursday | ten

The lift shuddered to a grinding halt.

Pushing himself away from the graffiti covered wall, against which he had been leaning, he felt heavy, old, faintly nauseous.

The stench of days old over-cooked cabbage again assailed his senses. The odour of cheap floor polish, mixed with rotting vegetation, aggravated his feeling of hopelessness.

There was another smell. Familiar, one which he could not quite pin down, which felt out of place. A faint odour that made him shiver, something sinister twisting inside. Memories, bad ones, stirring.

Pushing open the creaking wooden door, he stepped into the dimly lit corridor, reached into his pocket, took the flask and again drank deep, the familiar feeling flaring, burning, inside him. Not enough though, he took another draught, this time gulping the burning liquid down his throat so hard he almost choked. Screwing the cap back tight, he replaced the flask in his pocket and walked towards his room, his eyes fixed on the cold cracked tiles beneath his feet. The damp concrete walls closed in on him. Closing his eyes, the effect of the burning liquid, still turning inside his belly, accentuated the nausea he had felt since the lift had shuddered to a halt.

She lay motionless on the metal hospital bed. Breathing thready, pulse unsteady. The pain in her arm, where she had pulled on the needle, had eased a little, the pain in her belly had not. She slid her hand under the plain white cotton shift which barely covered her. Fingers tracing the bandage taped over her belly, she flinched as pain threatened to engulf her. She lay back, her mind racing. The emptiness inside her roiling, black, pitiless.

He reached the door to his room. A chill feeling of dread settled over him, the pain in his arm intensifying, as if his elbow had been wrenched out of its socket. Or shattered with a hammer. He shivered, reached out to the door, turned, and slowly, with trepidation, pushed.

Her eyes blinked open, her body shivering. She had dozed off. The light in the room unchanged, the machine to her side humming. Moving her arm, the needle shifted in her tortured flesh. Mind racing, she tried to sit, pain ripped through her belly forcing her to stop, to lay back on the metal bed. Then, she heard it. A faint noise, a metallic scraping sound. Struggling to locate the source of the sound she turned her head towards the side of the room away from the humming machine, the needle again digging into her.

She saw the door opening slowly.

Something felt wrong. As he slowly pushed open the door to his room, everything felt very wrong. That smell, the familiar odour that had caused him to shiver, intensified, acrid, sweet, lingering uneasily in his nostrils.

Her eyes opened wide, breath caught in her throat.

Where his desk should be, a woman, clad in a white shift, on a metal hospital bed, turned her widening eyes toward him.


The portal to dark | side | thursday opened on the twenty first day of may in the year twenty hundred and fifteen and will remain open for fifty two weeks.

ten | fiftytwo

Promocija knjige Belgradestreets u Dvorištancetu

Join me next Thursday evening, 23 July at 19:00 at Klub Dvoristance, Brace Krsmanovica 14, 11000 Belgrade, Serbia to see Belgrade through my eyes courtesy of Klub Dvoristance and publishers Komshe.

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Join me next Thursday evening, 23 July at 19:00 at Klub Dvoristance, Brace Krsmanovica 14, 11000 Belgrade, Serbia to see Belgrade through my eyes courtesy of Klub Dvoristance and publishers Komshe.

Would be great to see you there!

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Now thrilled to announce that that the team at the Belgrade Foreign Visitor’s Club have decided to combine their popular “Thirsty Thursday Event” with my exhibition at Klub Dvoristance this Thursday evening, 23 July at 19:00 .

Do hope you can come and thanks again to Dimitrije and Branko and all their colleagues at Komshe!

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dark | side | thursday | condensed:one:nine

Do you need, desire or crave a new challenge?  Are you open to sharing your dark side?   Then read on.


Do you have a dark side?

Or, think you may have one. Or indeed worry that you might have one. Or, for that matter, worry that you don’t and would like one? If so,  join me here each week for dark | side | thursday.

Over a period of 52 weeks, I am writing a story. A dark story that will unfold as the weeks pass. Each Thursday, at 13:00 UTC, I will post a new chapter. Each chapter will be exactly 500 words long, and will be accompanied by a photograph. You can catch up on the story so far by clicking here on dark | side | thursday

This post is an “extra”, a condensed version of the first nine chapters, for those who wish to catch up with the narrative so far or who are new to dark | side | thursday

Share your dark side?

I invite you to join me either by writing your own dark story, week by week, or, if that is too much, by dropping by, now and then, perhaps when the mood suits you or, perhaps, when it doesn’t, and by sharing a photograph, poem or a suitably dark piece of prose. To cross over to dark | side | thursday create your post, tag it dark side thursday and link to it by clicking on the dark | side | thursday badge below, where you can also find all the contributions so far. Or you can simply share your link in the comments section of my weekly post. And, should the mood take you, you can add the badge to your post.

AJT_6650-Edit


dark | side | thursday | condensed:one:nine

My story began with fragmented recollections of a walk through a cemetery. The narrator had gone there to learn, his past is not revealed, the background to why he was there is not yet clear. He was shocked by what he saw, what he felt.  He is a photographer, he is losing his hair. Maybe he is also a writer, of sorts. He feels things, injustice, fear, emotion. He finds an open tomb filled with water, its opening covered with rough hewn boards. He is said to hear, feel what had been there, it is not clear how or what he hears and feels.

In the second chapter, the scene shifts, to a time long before the narrator opened his eyes. A man and a woman, as yet unnamed, no details given, walk together on a warm spring evening, they are described as being free, free from something yet to happen. Something terrible. The narrator’s perspective is weaved into the future, he knows the story and is recalling it, there is a reference to knowledge he has acquired. The concept of time and space is blurred and ambiguous. The man and the woman might have seen what was to come, there is a suggestion that things might have been different. The narrator is at his desk, there is a reference to a box on his desk. Both he, the man and the woman feel cold. The narrator is writing with pen and paper. He recalls finding the hole in the ground.

The narrator opens the box in the third chapter, removes a key and remembers discovering the box containing the key in the open tomb introduced in the opening chapter. Shifting in time, it is revealed that the couple also came across a key during their walk on that long ago spring evening. The key provokes powerful feelings, both in the narrator, and in the man and the woman. Again there is a reference to how things might have been different; if the characters had chosen, or acted, other than as they did. Holding the key, the woman sees something in the man’s eyes.

In the fourth chapter the key again plays a crucial role. This time the man’s eyes undergo a terrible transformation, turning from sparkling blue to black, as the woman holds the key and looks at him. She feels cold and a terrible emptiness, an emptiness that she will always feel. The story shifts back to the narrator who continues to write at his desk, he seems, somehow, to sense the woman’s emptiness, it is not clear how or why. He drinks a harsh shot of slivovitz and remembers ‘all of it’, before walking out into the corridor. The man’s eyes return to normal, the man and woman kiss, she still feels cold and empty. The narrator seems seduced by the power of the key in the box, a key that seems somehow to be alive, conscious.

In chapter five the narrator walks down the corridor, thoughts of the key, of release haunting him. There is a reference to things being lost, a sense that the narrator has been here before. The narrator is in terrible pain, the corridor collapses around him. The man and the woman kiss, the eyes of the man again change, turning black, she feels empty. The narrator awakens in a blackened wood, how or why is not clear, he is pain. The woman runs away, the man does not follow, she discovers a flight of stone steps leading down. The narrator, struggling with his pain, drinking slivovitz from a flask, sees a flight of stone steps rising ahead of him. Then he hears her.

At the opening of chapter six, the narrator awakens back in the corridor, cold, wet and in pain and feeling somehow the emptiness the woman feels, he recalls hearing her voice speak these words “Don’t let him, don’t let him take it, not now, it’s so close. Please…hear me…”. He returns to his room, there is a reflection here about how things might have been different, he walks to the desk, he picks up an old, leather bound, journal and reads words which are apparently both terrible and familiar to him. The woman wakes at the top of the flight of stone stairs and in pain tries to speak, uttering the words “Don’t let him…”. Time and space again seem distorted and confused.

Chapter seven sees the narrator reading a passage from the leather journal with this stark message “When the time comes, there will be no time, you will know what to do, inside, you will know, as I did. I tried, I wanted to stop it. It was too strong, she was too strong. I had no time, so please for Hid’s sake, when the time comes, don’t think, act, or you too will have no time…”. The woman is alone, she cries out the words the narrator had heard. She endures a traumatic nightmare in which she is being burned alive, the man returning to her as she wakes. He picks her up, their bodies close, there is tension, a dark passion between them, she feels an emptiness inside her. The narrator again opens the box, takes the key, once more walks out into the corridor.  The man and woman descend the stone steps, they hear footsteps approach. The time is said to have come.

At the opening of chapter eight, the woman finds herself in darkness, her fingers slipping out of the man’s grip after they had reached the bottom of the flight of stone steps. The narrator walks back out into the corridor, expecting to be transported once more to the blackened wood. He is not.  The woman falls into a dark void, screaming silently. The narrator walks to the end of the corridor, descends the staircase and walking out into the rain, filled with despair, he screams and screams.

Chapter nine opens with the woman alone in an empty, tiled, room, she struggles to regain consciousness. Her painful sensations on waking are described in some detail. It becomes clear that she rests on some kind of hospital bed. The narrator sitting in the rain in the street, seems confused and afraid about what has happened. He returns to the building, takes the lift, he is exhausted. The woman feels a pain in her belly. Touching her body she then realises they had taken it from her.


The portal to dark | side | thursday opened on the twenty first day of may in the year twenty hundred and fifteen and will remain open for fifty two weeks.

condensed:one:nine | fiftytwo

project 365 mobile | mono | square | week 5

On Sunday, 14 June 2015, I launched my Project 365.

You can see all the images as they are posted to the mobile | mono | square album on my flickr account.

My plan, let’s see if I can stick to this, is to post a weekly update here each Sunday.

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half / half

‘one half of me is yours, the other half is yours,
mine own, I would say; but if mine, then yours,
and so all yours’

― william shakespeare, the merchant of venice

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‘i take pictures photographic pictures bright light dark room’

depeche mode, photographic, 1981

(for dp weekly photo challenge – half and half)

dark | side | thursday | nine

Do you need, desire or crave a new challenge?  Are you open to sharing your dark side?   Then read on.

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Do you have a dark side?

Or, think you may have one. Or indeed worry that you might have one. Or, for that matter, worry that you don’t and would like one? If so,  join me here each week for dark | side | thursday.

Over a period of 52 weeks, I am writing a story. A dark story that will unfold as the weeks pass. Each Thursday, at 13:00 UTC, I will post a new chapter. Each chapter will be exactly 500 words long, and will be accompanied by a photograph. You can catch up on the story so far by clicking here on dark | side | thursday

Share your dark side?

I invite you to join me either by writing your own dark story, week by week, or, if that is too much, by dropping by, now and then, perhaps when the mood suits you or, perhaps, when it doesn’t, and by sharing a photograph, poem or a suitably dark piece of prose. To cross over to dark | side | thursday create your post, tag it dark side thursday and link to it by clicking on the dark | side | thursday badge below, where you can also find all the contributions so far. Or you can simply share your link in the comments section of my weekly post. And, should the mood take you, you can add the badge to your post.

AJT_6650-Edit


dark | side | thursday | nine

Acrid, clinical, her senses recoiled.

Nothing. She could see nothing. That smell, filled her nostrils, her mind, her body. She could feel nothing.

Time, space, began to re-form around her. Feelings, sensations trickling, burning, along fingers, arms.

Her body heavy, throat burning, the sickly sweet taste filled her mouth. A terrible headache, eyes struggling to open.

A light flickered, beyond her closed eyes, heavy eyes she could not open.

Fragments bubbled to the surface of her struggling consciousness, falling, she had been falling, into the dark, she had screamed but no sound came. She had fallen, he had not been there. Where was she?  Where was he?  Panic churned inside her, she struggled to think, to remember.

The sweet cloying, burning taste in her mouth, in her throat made her gag. Her throat dry, aching, sore, violated.

She lifted her arm, felt searing pain as the needle embedded in it pulled. Opening one eye, the light blistering her mind, she saw the tube attached to the needle in her arm, snaking up and into the humming machine next to the metal bed on which she lay.

What the hell had happened to her?  Where was she? Panic bloomed like a toxic flower in her mind, she fought to breathe, to stay calm. Turning her head, she saw the tiled walls. The square room empty save for the metal bed, the metal door closed, no windows, a single cold fluorescent light in the ceiling, the humming machine next to her, connected to her.

She lay still, closed her eyes, tried to breathe, to fight off the nausea from the sickly sweet taste in her throat.  Tried to breathe, to be calm. And waited.

He screamed and screamed.

The rain poured over him, sat on the kerb, head in hands, he held the key in front of him, turned it over and over, what had happened? Why had he not been able to return to the blackened wood? He had thought the time had come, had left the room, his desk, the journal, taken the key, walked into the corridor, expecting to slip through, to find her. And now, here in the street, soaking in the dark rain, feeling hopeless, lost, fearful.

He stood, looked back at the building, walked back through the doors. He could not walk those stairs, had no energy. Walking to the end of the corridor where an ancient lift waited, he pushed open the battered wooden door, pulled it behind him, pressed the brass button. The lift shuddered, creaked and, slowly, ascended. He leaned back, heavily, against the graffiti covered wall.

Again, she opened an eye, slowly. Lifted her hand, the right one, the one not attached to the tube, the machine.  She slid her hand over her belly, the terror filled her again as the pain hit her, the pain snaking out of the darkness, the pain in her belly.  The pain from her empty belly.

She knew then, they had taken it. From her.


The portal to dark | side | thursday opened on the twenty first day of may in the year twenty hundred and fifteen and will remain open for fifty two weeks.

nine | fiftytwo

breendonk

“Monsters exist, but they are too few in number to be truly dangerous. More dangerous are the common men, the functionaries ready to believe and to act without asking questions.”
― Primo Levi

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(fort breendonk, willebroek, belgië)

*shot with nikon d700 and nikkor 70-200mm f/4 lens at various settings, edited through a veil of tears in lightroom cc and silver efex pro 2*

project 365 mobile | mono | square | week 4

On Sunday, 14 June 2015, I launched my Project 365.

You can see all the images as they are posted to the mobile | mono | square album on my flickr account.

My plan, let’s see if I can stick to this, is to post a weekly update here each Sunday.

Desktopmms-Edit