We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it
― Tennessee Williams, The Milk Train Doesn’t Stop Here Anymore
This post was inspired by a few things.
For starters, I’ve been working too hard and neglecting almost everything, and everyone, else. Apart from the obvious social clues, my Fitbit sits on my wrist admonishing me with a digital iciness of tone, pointing out that I am not exercising enough, and it has facts, and they are not Spicerian alternative facts, but hard, cold evidence. And, not so long ago, whilst walking in the street, I felt decidedly odd, numb fingers, a sense of unreality, dizziness and a general feeling of fading vision. Trust me, that is the universe speaking to me. I think.
Also, I have been using the theft of my beloved X100T as an excuse for not shooting enough, or writing about it.
In conversation today, someone made some kind remarks about my photography. I took this as a challenge, and so set about capturing my environment. This in turn was an act of rebellion about an environment that feels like it has captured me. Shielded from the world outside by double locked gates, security guards, razor wire and faithful drivers.
I’m not complaining. I’m lucky. I’m just rebelling, a little.
These shots were captured (there’s that meme again) with my iPhone. I used Analog Efex Pro 2 (Toy Camera 3) because the effect seemed to capture the way reality bends when in a certain frame of mind.
As for my camera, at least my Nikon is safe at home, and there’s always the X100F to look forward to.
A glass half full?