my sole obsession finally I feel it fading walk me home ...and walk away sole obsession suddenly a different shading walk me home ...and walk away /// mi única obsesión por fin siento que se desvanece acompáñame a casa ...y vete única obsesión de repente, un matiz diferente acompáñame a casa ...y vete
lyrics from /// letras de sole obsession, nation of language
*images made with nikon f5 and nikkor af-s 35mm f/1.4 g lens, ilford delta 400 film*
The eye should learn to listen before it looks
― Robert Frank
canned, and on the bench
a load of bull
don’t
feeling prickly?
dealing…
brittle
wired
blowing in the wind
toothsome
long and winding (but not yellow brick)
branching out
kerouac(ing)
*all images made on 1 January 2024, with Nikon F5, AF Nikkor 80-200mm 1:2.D ED lens and Ilford HP5 Plus film, negatives developed by Carmencita Film Lab, then scanned with Nikon D850 and ES-2 Film Digitizing Adapter*
Faith is sleeping
Lovers in the end
Whisper we’ll be ghosts again
*first (experimental) set of images made with Nikon F5 loaded with (very old) Ilford XP2 400 film, digitised with Nikon D850 and ES-2*
about christmas
russian shell(s)
ukraine hell(s)
about christmas
freezing cold
forgotten old
about christmas
homeless (not) hopeless
clueless politician, regardless
about christmas
behind closed doors
lie (closed) minds
about christmas
how much, is enough
for you
for them
for us
let's talk... about christmas
exposed
spotted
spirit (me away)
not just for christmas
not the pandemic
do you feel lucky?
palmed off
face off
caged dreams
lack of intimacy
you looking at me?
where are all the little people?
no, on reflection
closed (for christmas)
*images made with Fujifilm X100F with fixed 23mm f/2 lens*
Is there any phrase more ominous than “you need to see exactly what you’ve done”?
11/22/63
My plug in baby
In unbroken virgin realities
Is tired of living
And I’ve seen your loving
Mine is gone
*All images made with FujiFilm X100F with fixed 23mm f/2 lens, all at f/2 with Ilford Delta 3200 Pro film profile applied in Silver Efex Pro 2*
The patterns that papered over my lockdown cracks. There is darkness and light. How we deal with that, makes us, or not.
a poem, some unedited rain, and a slice of plath
i woke to the sound of rain
― sylvia plath, the bell jar
see me
the face
in the rain
see me
the fingers
on the pane
see me
before
i am
wiped
away
*one of a series of shots made in salamanca with my ancient olympus om10, with zuiko 50mm f/1.8 lens, and loaded with ilford xp2 super ISO 400 film*
Another shot at this week’s WordPress prompt on the theme of ‘I’d rather be’ which features the streets of Salamanca, words by Murakami and some unedited mono photos from me and my trusty old Olympus OM10.
“Look at the rain long enough, with no thoughts in your head, and you gradually feel your body falling loose, shaking free of the world of reality. Rain has the power to hypnotize.”
― Haruki Murakami, South of the Border, West of the Sun
We often spend time wondering who, where, or perhaps what we are.
What we’d rather be.
Maybe, our lives would be better if we simply accepted who we are, where we are.
And what we have.
Let the rain wash over us, cleanse us.
Make us whole again.
And maybe then, we’d rather not need to be anything that we are not.
Already.
A thoughtful piece for this week’s WordPress Weekly Photo challenge which posed the rhetorical question ‘I’d rather be’
And, in an odd way, the fact that each of these shots was captured, in Salamanca’s Plaza Mayor, with a 35 year old Olympus OM…
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‘what was the thing, who was the one?
i’d tell you if I had the chance
all over the city, the suburbs and towns
i’m begging someone, please look up’
– lyrics from ‘everybody wants to sin’ sarah blasko
for wordpress weekly photo challenge ‘i’d rather be’
*shot in salamanca, españa, with 35 year old olympus om10 and zuiko 50mm f/1.8 lens in aperture priority mode with ilford xp2 super iso400, developed by ilford, after I dropped it on a cold tiled floor and bent the filter ring, gotta love film…*
andy townend 